Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Wednesday, 9 March 2011

Movie Music Notes & Lyrics Compilation, episode 1



Movie Music Notes & Lyrics Compilation, episode 1
Antao-LEAN | 2010-01-01 00:00:00 | Antao-LEAN | 136 | Music
The compilation of notes & lyrics for piano. 33 songs and musical themes from world-famous movies, musicals, soap operas and cartoons.

Contain list:
20 Century Fox Theme by Deusdet Coppen
2046 - Song From A Secret Garden by Rolf Lovland
Alice in the Wonderland - Alice by Avril Lavigne
Amelie - L'autre valse d'Amelie by Yann Tiersen
Brod Ludaka - Gimme More by Britney Spears
Cabaret - Cabaret by John Kander & Fred Ebb
Califorication - Califorication by Red Hot Chili Peppers
Chess - One Night In Bangkok by Benny Andersson & Tim Rice
Chicago - And All That Jazz by John Kander & Fred Ebb
Cronicles Of Narnia, The - Lucy Meets Mr Tumnus by Harry Gregson-Williams
Dodgeball - The Lady In Red by Chris de Burgh
Friends - I'll Be There For You by Michael Skloff
Godfather, The - Speak Softly Love by Nino Rota
Help! - Yesterday by John Lennon & Paul McCartney
La Cucaracha - La Cucaracha arranged by Maxwell Eckstein
Les Visiteurs - Ameno by Eric Levi & ERA
Let it be - Let It Be by the Beatles
Love Story - Love Story by F. Leigh
Notres Damme de Paris - Ð’elle by Richard Cocciante
Only You - O Sole Mio by E. Di Capua
Pink Panther, The - The Pink Panther Theme by Henry Mancini
Pretty Woman - Oh Pretty Woman by Roy Orbison
Pulp Fiction - You Never Can Tell by Chuck Berry
Requiem For A Dream - Requiem For A Dream by Mansell Clint
Romeo and Juliet - Love Theme by Nino Rota
Simpsons, The - The Main Theme
The Curious Case of Benjamin Button - Bethena by Scott Joplin
The Phantom Of The Opera - The Phantom Of The Opera by Andrew LLoyd Webber
Titanic - My Heart Will Go On by Will Jennings & James Horner
Twilight - Bellas Lullaby by Carter Burwell
Winter Sonata - Kiss The Rain by Yiruma
X-files, The - The X-files Main Theme by Mark Snow
XXX - Engel by Rammstein
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Thursday, 24 February 2011

Essential Styles for the Drummer and Bassist



Essential Styles for the Drummer and Bassist
Houghton | 1900-01-01 00:00:00 | | 0 | Music
Essential Styles for the Drummer and Bassist, Books 1 and 2, are two innovative book and play-along CD packages that teach 50 essential grooves from today's jazz and popular styles. The books include written-out charts of each selection and performance tips for both drums and bass. All of the grooves have been recorded with a rhythm section and woodwinds, with drums mixed on the left channel and bass on the right, so either instrument may be dialed out. In addition, many of the tracks contain open choruses of comping so any instrument can practice playing solos! Essential Styles emphasizes the most important aspects of solid group playing locking-in between the drummer and bassist providing a strong rhythmic foundation and creating an authentic feel for whatever the style demands.
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Dirty Little Secrets of the Record Business: Why So Much Music You Hear Sucks



Dirty Little Secrets of the Record Business: Why So Much Music You Hear Sucks
Hank Bordowitz | 2007-01-01 00:00:00 | | 0 | Music
I came across this book at my local library. After looking through it, I decided to check it out. This book, written by someone who works in the music biz is a must read for not only musicians but music lovers as well.
The author, a veteran of the music biz shows why music sales are down & why blame for that goes to the music biz itself. From forcing VERY bad music down our throats to briding radio stations to play this music. Also forcusing only on the youth despite the fact that they make up only a small % of those who actually buy music (fact is most music buyers are older folks & 60% of all music sales are back-log catalog or reissues). It's not surprising that people have either stopped buying music altogether or go online to look for the music they want.
Broadacst radio is also in the same boat as we see more & fewer stations
being owned by fewer and fewer owners, there's a decrease in musical diversity on-air. Thus causing an exdous of people towards satelle & internet radio.
Then there's the record companies screwing over their artists. One artist in the book went from going Gold (selling half a million copies) to flipping burgers.
I can keep going, but you're find out more in the book. Also "The label: the story of Columbia Records" by Gary Marmorstein is also worth reading.
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Wednesday, 23 February 2011

Jazz LTD 500 tunes The Real Book Missed


Jazz LTD 500 tunes The Real Book Missed
| 1900-01-01 00:00:00 | | 402 | Music
Jazz LTD 500 tunes The Real Book Missed
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Tuesday, 8 February 2011

Elton John: Made in England



Elton John: Made in England
Elton John | 1900-01-01 00:00:00 | Hal Leonard Publishing Corporation | 72 | Music
Made in England Book Piano/Vocal/Guitar Elton John Brand: Alfred Publishing Model Number: 32-00306049

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Tuesday, 25 January 2011

The Guide To MIDI Orchestration



The Guide To MIDI Orchestration
Paul Gilreath, Jim Aikin, Omar Torres | 2004-01-01 00:00:00 | | 1 | Music
The Guide to MIDI Orchestration by Paul Gilreath, 1st edition was released in 1997. Since that time, it has been the premiere text on creating realistic emulations of a symphony orchestra using samplers and computer recording techniques. Recent years have seen huge advances in sampling technology. Likewise, the demands put on the MIDI composer to produce extremely realistic orchestral textures have never been higher. Now in its 3rd edition, The Guide to MIDI Orchestration explains how to merge this ever-expanding technology with the artistry of orchestration to produce the most lifelike recordings possible and is a must-have for anyone who is serious about making orchestral music with samplers and computers. Gilreath takes this difficult task and presents a clear start to finish roadmap that anyone can follow.
The Guide to MIDI Orchestration, 3rd edition is a hardback comprehensive text comprising over 700 pages that progresses from an overview of orchestral history to in-depth discussions of each section of the orchestra. The book is printed with four color process throughout.
Detailed information on each instrument’s timbre, range and uses is included. Specific orchestration techniques are discussed, including how to use the various instruments for accompaniment and melody, how to approach an orchestration from the ground up and how to achieve balance and interest within the orchestration. Gilreath then shifts gears and translates these elements into the MIDI and sampling environment, providing a clear and precise approach that will allow the reader to employ the necessary techniques with assurance. Chapters on studio setup and requirements, effects processing and plug-in considerations, DAW choices and mixing guidelines highlight the text. Detailed reviews and recommendations of orchestral libraries are included. Insightful interviews with mastering engineers Bob Katz and Bob Ludwig provide useful, real-world knowledge that can be implemented in your work on a daily basis. Interviews with library developers Eric Persing, Doug Rogers, Gary Garritan and Herb Tucmadl (among others) give the reader a look into various aspects of the orchestral library development process as well as a glimpse of the future of the industry.
The book is written for composers, arrangers and MIDI musicians of all levels and will be helpful to video game and multi-media composers, film and television composers, traditional orchestral composers, teachers, orchestration and composition students, instructors and the serious hobbyist. The Guide to MIDI Orchestration is a one-of-a-kind text that provides the information necessary to help composers who demand the best achieve successful and realistic MIDI orchestrations. Though this book is not intended to teach in-depth orchestration concepts and techniques, it is an important resource for anyone who routinely works with virtual orchestras. Orchestration techniques are shown in order to facilitate an understanding of how to manipulate MIDI files to obtain the desired result. In addition, for the beginning orchestrator, the book provides basic to intermediate orchestration concepts and examples.
[b]Topics include:[/b]
[list][*]Detailed information on all instruments and their proper uses
[*]Basic to advanced orchestration concepts and techniques
[*]Specific sequencing techniques for each section
[*]MIDI data manipulation techniques which are critical for realism
[*]Advanced techniques for translating existing scores to MIDI
[*]DAW template setup and multi-computer techniques
[*]Choir and vocal writing techniques and vocal library reviews
[*]Reverb, EQ and delay plug-in concepts, reviews and techniques
[*]Reviews and implementation information for all major orchestral and piano libraries
[*]Project studio setup techniques for MIDI orchestration
[*]Detailed, step by step mixing techniques
[*]Interviews with major developers, composers and audio professionals
[/list]
The book is currently used by hundreds of professional composers and is a required text and many universities and colleges in the U.S. If you are serious about your MIDI orchestrations, you need to have this book.
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Tuesday, 18 January 2011

Electronic and Experimental Music: Technology, Music, and Culture



Electronic and Experimental Music: Technology, Music, and Culture
Thom Holmes | 2008-04-23 00:00:00 | Routledge; 3 edition () | 481 | Music
'The book is a superlative intersection of history and practice. With its charts, pictures, historical antecedents, and well-explained concepts, Electronic and Experimental Music is an essential resource for anyone interested in extraordinary sound.' Chris DeLaurenti, The Stranger

'This third edition effectively replaces both previous editions due to substantial additions and a well-executed reorganization... Holmes does an excellent job of avoiding unnecessary technical jargon while providing specific information on the analog techniques and digital software and hardware that have driven the development of this genre... This well-known history remains an invaluable guide for those hoping to gain a firm grounding in the history and culture of electronic music... Highly recommened.' - CHOICE


The book is a superlative intersection of history and practice. With its charts, pictures, historical antecedents, and well-explained concepts, Electronic and Experimental Music is an essential resource for anyone interested in extraordinary sound. Chris DeLaurenti, The Stranger

This third edition effectively replaces both previous editions due to substantial additions and a well-executed reorganization... Holmes does an excellent job of avoiding unnecessary technical jargon while providing specific information on the analog techniques and digital software and hardware that have driven the development of this genre... This well-known history remains an invaluable guide for those hoping to gain a firm grounding in the history and culture of electronic music... Highly recommened. - CHOICE
Product Description

Electronic and Experimental Music: Technology, Music, and Culture is a revised and expanded edition of this classic work, providing a thorough treatment of the relevant history behind the marriage of technology and music that has led to the state of electronic music today. Beginning with an early history of electronic music before 1945, the book outlines key composers, inventions, and concepts, ranging from Edgard Varese to Brian Eno; musique concrete to turntablism; and compositional techniques used in both analog and digital synthesis.

The third edition’s reader-friendly writing style, logical organization, and features provide easy access to key ideas, milestones, and concepts.

Features:

* reader’s guides and summaries at the beginning and end of each chapter
* innovations boxes providing a unique profile of an influential individual in the field of electronic music
* listen playlists recommending key recordings in each musical genre mentioned in each chapter
* milestones timelines summarizing the major technological and musical innovations discussed in each chapter.
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